Dynaudio Excite X14 loudspeaker Associated Components
Naim Audio NAIT 5si integrated amplifier Measurements
Naim Audio NAIT 5si integrated amplifier Associated Equipment
Dynaudio Excite X14 loudspeaker Specifications
Dynaudio Excite X14 loudspeaker
In the March 2010 issue
I reviewed Dynaudio's Excite X12 bookshelf speaker ($1200/pair), then the least expensive speaker in Dynaudio's line. It mightily impressed me, and I wrote that it had "become my new benchmark for speakers costing under $2000/pair." Despite the many newer, competing bookshelf speakers costing somewhere between $1000 and $2000/pair that have visited my listening room since then, my enthusiasm for the Excite X12 has not wanedI've used it as a reference against which to compare all of those of those models. So when Dynaudio USA's Michael Manousselis contacted Stereophile
to tell us that the entire Excite line had been redesigned, and offered review samples of the Excite X12's successor, the Excite X14 ($1500/pair), I jumped at the opportunity.
Naim Audio NAIT 5si integrated amplifier Specifications
Naim Audio NAIT 5si integrated amplifier Page 2
Naim Audio NAIT 5si integrated amplifier
Some among us remember a time when audio was divided into rival interests. On the left side of the pond was the New World, where left-brainers believed that vanishing harmonic distortion meant that "all amplifiers sound the same," and that good loudspeakers are a high-fidelity audio system's most important components. Across the waves, so-called flat-earthers claimed that the most important part of the playback chain was the turntable. (Of secondary importance were the tonearm and cartridge, followed by the preamp and amplifier. Loudspeakers were deemed relatively unimportant.) In the 1980s, this extremist idea of the "front end first" captured the imaginations of audiophiles, mostly in the Mother Country.
God Lives in the Details
Hunter S. Thompson once wrote, "If you work in either journalism or politics . . . you will be flogged for being right and flogged for being wrong." I was reminded of Thompson's words when I read a forum post on our website
. "Why is Stereophile
way behind the other magazines?" asked "rs350z," explaining that, among things, he objected to Stereophile
's supporting its reviews with measurements. "why waste the ink on doing measurements on each product reviewed," he wrote, with a disregard for capital letters. "There is no need to. I don't care if the distortion is 0.00005 or 0.00007, nor do i care about all of the other tests you do. What i care about is the sound, quality, finish, looks."
Recording of October 2014: Bruckner: Symphony 9
Bruckner: Symphony 9
Claudio Abbado, Lucerne Festival Orchestra
Deutsche Grammophon 479 3441 (CD, 48/24 download from HDTracks). 2014. Georg Obermayer, prod., ed.; Urs Dürr, Toine Mertens, engs. DDD. TT: 63:09
This performance of Bruckner's last, all-but-finished composition was recorded at the last concert conducted by Claudio Abbado. It is a fitting final statement by an interpreter of unparalleled sensitivity, intelligence, and taste.
The Ninth is no serene work, and Abbado's earlier recording, with the Vienna Philharmonic, is a darker, more intensely driven vision of Bruckner's fight to live long enough to complete his most profound, most ambitious composition. The difficulties of that double struggle are evident throughout the three movements Bruckner completed (Abbado never conducted a completion of the nearly finished Finale), and in 1996 in Vienna, those struggles seemed the story Abbado wanted to tell.